| 301 | 1994 | Forrest Gump - Arthur Schmidt |
| 302 | 1994 | Hoop Dreams - Frederick Marx, Steve James, William Haugse |
| 303 | 1994 | Pulp Fiction - Sally Menke |
| 304 | 1994 | The Shawshank Redemption - Richard Francis-Bruce |
| 305 | 1994 | Speed - John Wright |
| 306 | 1995 | Apollo 13 - Mike Hill, Daniel P. Hanley |
| 307 | 1995 | Babe - Marcus D'Arcy, Jay Friedkin |
| 308 | 1995 | Braveheart - Steven Rosenblum |
| 309 | 1995 | Crimson Tide - Chris Lebenzon |
| 310 | 1995 | Seven - Richard Francis-Bruce |
| 311 | 1996 | The English Patient - Walter Murch |
| 312 | 1996 | Evita - Gerry Hambling |
| 313 | 1996 | Fargo - Ethan Coen, Joel Coen (as Roderick Jaynes) |
| 314 | 1996 | Jerry Maguire - Joe Hutshing |
| 315 | 1996 | Shine - Pip Karmel |
| 316 | 1997 | Titanic - Conrad Buff, James Cameron, Richard A. Harris |
| 317 | 1997 | Air Force One - Richard Francis-Bruce |
| 318 | 1997 | As Good as It Gets - Richard Marks |
| 319 | 1997 | Good Will Hunting - Pietro Scalia |
| 320 | 1997 | L.A. Confidential - Peter Honess |
| 321 | 1998 | Saving Private Ryan - Michael Kahn |
| 322 | 1998 | Out of Sight - Anne V. Coates |
| 323 | 1998 | Shakespeare in Love - David Gamble |
| 324 | 1998 | The Thin Red Line - Billy Weber, Leslie Jones, Saar Klein |
| 325 | 1998 | Life Is Beautiful - Simona Paggi |
| 326 | 1998 | With the rise of digital non-linear editing systems, the award name was changed to Best Editing in 1999: |
| 327 | 1999 | The Matrix - Zach Staenberg |
| 328 | 1999 | American Beauty - Tariq Anwar |
| 329 | 1999 | The Cider House Rules - Lisa Zeno Churgin |
| 330 | 1999 | The Insider - William Goldenberg, Paul Rubell, David Rosenbloom |